The Art of Andrew Sawyers Book Ltd Edition

Available to Pre Order* – Limited Variant Art Dust Jacket Edtn !!!

LAST FEW LEFT !!!

The Art of Andrew Sawyers – now expanded to 64 pages collecting work from over the last four years …

American sized format perfect bound !!!

150gsm pagination 350gsm card cover – and due to very popular demand all preorders will be supplied with a a gloss dust jacket – We are ready to go to print, and a such with some recently unearthed (exhumed even) artwork we’ve increased the book from 52 pages to 64 !!!

In addition to the above all orders come with a glossy 3″ x 3″ Sui-Cyco STicker !!!

… but to sweeten the deal – one preorder will be randomly drawn to win a fully painted commission – you get to choose the subject, character or whatever it is you’d like to bring to life as piece of art, and naturally you get to keep and own the original art !!!

Steve MacManus (2000 AD/Blazer)‘Unashamedly chaotic, fuelled by a searing creativity !!!’

Karl Willetts (Memoriam/Bolt Thrower)
‘Nice guy – Great artist !!!’

Parris Mayhew (Aggros/Cro-Mags)
‘Thank you for lending your talent to my music’

Simon Bisley (Lobo/Slaine)

‘When I first met Andrew I knew we were going to get along as he was a Suicidal Tendencies and Type O fan … I enjoy Andy’s work, his hungry enthusiasm for his art … he has the kind of energy that is infectious !!!’

Strictly Limited Print Run – will sign on request, just leave a note in comments on check out !!!

Andy was voted moST Cyco in school …

… and we couldn’t be prouder !!!

After leaving academia, art school – Andy went on a 25 year hiatus to pursue other endeavours in life …

However, the thirst to create and illustrate since a child, had not been quenched and the fire not diminished – he returned to art four years ago and subsequently has been published in The ‘77, Shift, Pandora, This Comic is Haunted, Dead by Dawn, White Heat alongside a myriad of covers and pages for Caulkhead Comics, Lawless, Kirknewton History and The Most Important Comic on Earth !!!

Work has also been published on music releases for The Aggros (Parris Mayhew founding CroMag) Memoriam, H-Drive and Vertical Noise …

… presented here is a collection of work from the last four years – some never before seen, or reprinted in their original raw form !!!

If you’re not now, you never were …

Get your copy here: S23FAMILIA.BIGCARTEL.COM

*ships this December

Old Men Listen to Death Metal – Darkened ‘Kingdom of Decay’ LP review

Finally, having sat on this for a good few months, longer in fact as I was privy to advance digital copies, let’s have a good look, at long last, at the debut album from DarkenedKingdom of Decay’ !!!


Hot off on the heels of the truly stunning preceding EP ‘Into the Blackness’ the band dropped late last year via Edge Circle Productions their brand new debut LP (available on MCD/CD and Vinyl).
Why the delay – it certainly didn’t fall through the cracks, nor was it overlooked – but a culmination of circumnavigating the recent trials and tribulations life has presented us all with and moreover, texturally it’s a complex album with many layers and facets that a simple overview wouldn’t do it justice !!!

Darkened – “Kingdom of Decay” (OFFICIAL LYRIC VIDEO)

It’s proved to be a compelling soundtrack to recent events, and I to this day enjoy its company either at the drawing board, to and fro on the daily commute or in general as part of my daily soundtrack – it’s that good it now proudly sits amongst many classic albums amongst my several decades long collection that get regular play !!!
The original line up returns minus the EP’s original bassist, replaced by Tobias Cristiansson.
There’s no immediate discernible difference in that the preceding bassist did an exceptionally good job beforehand, it would appear however, Tobias brings a different more organic technicality to this set of songs, an almost unprecedented warmth and groove often lacking amongst the genre.
So, without any further procrastination we’ll dive in and break it down track by track …

  • Nekros Manteia the opening prelude is a short but sour sweet instrumental that atmospherically sets the tone of the album, it’s a classic thrash trope often employed to great effect during the 80’s by many bands – so well played I wish this intro had been a little longer and had a few more parts, it deftly shows a slight of hand and gives a glimpse at Darkened’s dexterity and serves as a timely juxtaposition to muscularity and heft of what’s to come … it is great idea to bookend the tracks with intro’s and outro’s respectively almost imbuing the album with a conceptual feel !!!
  • Dead Body Divination powers on right from the off – this is how you open an album and it’s swirling thrash riff is virtually relentless aside from harmonies and leads peppering it throughout – the breakdown riff from 01:32 onwards could play for hours as far as I’m concerned, it’s absolutely great … more of the dueling leads are back though and reminded me warmly of Rocky George’s solo work which seamlessly worked over the top of Mike Clarke’s rhythm on ‘Lights, Camera, Revolution’ !!!
  • 1000 Years carries on the charge and was one of the preceding digital singles prior to the albums release – I really like this track, but it does sit far better shoulder to shoulder amongst the album complete rather than as an isolated track. Has a real bruising groove mid section before peeling away into a blistering lead solo, the drumming here too is absolutely taught precision delivered brutality and actually powers the latter half of the song with that trademark hardcore groove !!!
  • Pandemonium opens with a spiraling black metal riff from the off – possibly the closest to a traditional track stylistically to the professed Black/Death Metal genre the band have camped themselves within – its more traditional gear set actually serves as a good countenance to the more experimental stylings the band explore on other tracks – that said the band, guitars, drums and bass lock in perfectly with Gord’s vocal delivery at 02:44 to power through the third verse with a confidence and power that puts far bigger established acts to shame !!! It’s from here on in Pandemonium really picks up and powers up a whole new level …
  • Cage of Flesh swaggers in with its undead gasped vocal and Sabbath inflected intro before hitting the groove with a brilliantly drum and bass led riff -to define this band purely as a Death/Black metal band is to criminally under estimate their considerable ability and adventurous influences – there’s a healthy does of hardcore groove, doom and progressive thrash woven in here … it’s just good heavy music and transcends the genre !!! The anthemic outro on this would serve any horror movie exceptionally well too …
  • The Burning and track which digitally served as primer before the LP’s release – this would easily of sat amongst the preceding EP’s tracks without missing a beat, has a great little sound bite in the middle before pounding out a superb beat down section again dissolving into a beautifully soulful lead and again crushing your ears with more groove laden riffs as it gallops towards the finish. I’ll admit I hugely underestimated this track on release but it’s a standout gem in the absolute crown of material on display here.
  • The Old Ones drums and guitars play perfectly in countenance to one another and serve as suitably menacing score to Gord’s confident vocal lines – even a little touch of Sepultura inspired riffing and ambience spotted here and there, by no means plagiaristic – there’s just that little flavor of ‘world music’ tone the more hardcore riffs peppering the track and it serves it well.
  • Kingdom of Decay is Darkened at its bristling best, whilst not overly adventurous in experimenting with the genre it’s musically solid musicianship serves the album as countenance, traditionally underpinning the collection to the groups ethos and their genre roots !!!
  • Of Unsound Mind is very much a track for today’s world and perhaps really sees Darkened take off the gloves and show just how aggressive they potentially can be with its swaggering belligerent intro – it offers only moderate respite before powering out with that classic hardcore metal groove that they’ve really perfected – it’d be interesting moving on from this track how dirty and nasty they could get …
  • The White Horse of Pestilence rounds out the album hurtling towards the finish line and outro with an almost rabid frenetically feverish ferocity that is perhaps thematically threaded throughout the album. It’s polish and production, and more importantly balance that’s puts this upon a pedestal above and beyond their peers who’s material is muddied by terrible production and terrible muddy mixing – Kingdom of Decay is a benchmark album and should be used as definitive benchmark in quality production values.
  • Winds of Immortality bookends the LP and as the second ambient track and my only lament is that it’s bitter sweet short – I could listen to it meander through the aural darkness for hours, endlessly …

So, to summarize this is a beautifully brutal extension to that classic EP proceeding it, I’d argue that this is essential to heavy music fans, collectors and fanatics of the death and black metal genre – its accessibility and accomplished musical ability may to some be a turn off, but what do expect from such pedigree of musicianship including former members of Bolt Thrower, Memoriam, Grave, Excruciate and Angel Blast – it’s an absolute labor of love and everything I hoped it would be, a very fitting outro to the disastrous year 2020 was and will serve as an empowering soundscape to survive 2021 !!!
Get Kingdom of Decay from Edge Circle Productions now !!!

Undefeated !!! MEMORIAM Live at The Underworld, Camden, London 01st February 2020

Undefeated !!! MEMORIAM Live at The Underworld, Camden, London 01st February 2020

Words Andy S23

Photography and Footage Danny S

Definition: hyperbole

/hʌɪˈpəːbəli/

Learn to pronounce

noun

exaggerated statements or claims not meant to be taken literally.

… and that’s my opening statement, such was this momentous performance, much of what I’m about to regale you with will be undoubtedly prone to ‘hyperbole’ – however, I can say with absolute assurance, it’s all justifiably deserved !!!

Treat Your Self !!!

So, some background – late last year Memoriam announced the first of many shows for 2020 and I immediately booked tickets for I and my very, very good friend Danny.

I’ve know Danny for a good few years, working alongside each other on a daily basis, he’s the kind of guy you can trust to have your back, moreover, we enjoy a common love of films, comics and music all accompanied with our unique brand of humor and culture that many outside of our small circle will understand !!!

Man Day 101 !!!

The had stars aligned, we both had the day off, wives, kids, cats and dogs where all respectively packed off and taken care of – as such we inaugurated what hopefully will become an annual affair – Man Day !!!

Memoriam, take heed, feel free to play the first Saturday of every February – Ha !!!

It was our intention to have somewhat of a more ‘explosive day’ but Danny was nursing his head from his previous night out watching Megadeth, and I nursing a stinking cold, bad mood as well as marching into the sublime mediocrity of middle age didn’t present the most dynamic of duos …

Still, opening up with a cold beer, we perused a slew of comic book shops, including Orbital, Gosh! and Forbidden Planet. Danny picked up some missing numbers from Silver Surfer and The Punisher I opted for stuff from Adam Hughes, Jocks Green Arrow and an issue of Wolverine by Alan Davis !!!

As the sun set we marched onwards to Camden as showtime loomed over the horizon – alas Mega City Comics had already closed, we settled amongst the throng in The Worlds End for the first of many more beers !!!

On entry to The Underworld, suitably refreshed we bumped into Frank Healy, Memoriam’s bassist. Gregarious, unassumingly charming and genuinely pleased to see us – we briefly spoke about the drive down to London, plans for dinner, he was looking forward to a hearty kebab post show – and his thundering bass tone, which wryly quipped was due to his dwindling hearing – top man.

Naturally, first port of call, after grabbing some more ice cold beers, was the merch table – some great shirts, and regrettably I wish I’d picked up the show exclusive shirt, hopefully they’ll make their way on line over at their Big Cartel store …

But, I did pick up one of these, a coffee mug, resplendent with their demo’s artwork – this got put to good use as soon as I was through the front door …

Whilst at the table, drummer Andy Whale happily chatted to us, gave some incredible insight to the bands plans and future, I’ll keep quiet here, but seriously keep an eye out – Memoriam will be as busy as ever. Andy also spoke about one of his other bandsDarkened, and we energetically enthused over its style and tone. We also chatted about Memoriam’s unique DIY ethic, which allows them to tour on weekends, days off, and yet still remain committed to work, family and other endeavors – we both agreed it’s a model many bands should explore, keeping it fresh, exciting and vital.

We did also bumped into Karl, however, my inital greeting of ‘I love Saxon, and I’ve always wanted to meet Biff Byford’ was perhaps not the best opening gambit, but he heartily shook my hand nonetheless before disappearing into the depths of The Underworld …

MEMORIAM

As the opening bars of the instrumental ‘Memoriam’ faded the band quite literally exploded onto the stage, Memoriam ripped open with Undefeated – the sound, tone and pitch was perfect. Wether this style or genre either is or isn’t your thing – this was a masterclass in sonic assault and I’d urge other bands to seriously pay heed.

The stripped down, lean and taught approach really lent itself to the live setting, and whilst this track, on the album is a firm favorite, here it took a life of its own and sounded more venomous, vicious and vitriolic than ever. As aforementioned Franks bass, rumbled with a groove and warmth, and an assured confidence and prowess that clearly cemented why as one of the scenes elder statesman he’s a legend and consummate professional. He prowled and worked the stage relentlessly, putting many younger contemporaries to shame.

Karl too, exploded with a power, an unbridled fury that literally gripped and captivated the audiences attention from the off and throughout …

The passion and integrity, and thinly veiled vitriol and disdain of the current socio-political state was palpable and delivered with integrity, yet as any good showman and frontman does, this was ably delivered with aplomb and a wry smile, extolling that perhaps we all shouldn’t take our selves too seriously …

That aside, clad in black combat boot and cargo pants, and an intriguingly sleeveless ‘Singularity Sauce’ tee, his long mane of ice blond hair made for an iconically striking visual performance and decades of touring has not dulled his edge, I’d wager his vocals have never sound more ferocious, powerful or confident.

Andy was clearly at home and in a happy place on drums, working what appeared to be a stripped down ensemble, almost a jazz like set up, was an absolute pleasure to observe and clearly was having no end of fun holding it all together. Taught, tight, precision drumming, an absolute wall of pummeling beats alongside Franks bass gives this blend of ‘Old School Death Metal’ real groove, swing and a warmth and a texture many other bands live are simply devoid of. He’s clearly the heart of the beast, and imbues it with life, really making it a living, breathing monster !!!

Last but by no means least, Scott Fairfax the crypt keeper of riffs, the undisputed king of rhythm and lead, flawlessly switching between either with verve, style and panache – Ive long since seen such a player so confidently happy and at ease live – and as the all the band collectively did, his crunch and attack added more spite and vengeful sonic assault to these tracks !!!

Live, is clearly a very comfortable place for Memoriam and they don’t hide the fun with which they approach the stage – which, incidentally they owned !!!

Whilst a slightly shorter set than expected, they pulled out what I’d regard a fan favorite set of classics from their growing back catalogue.

Undefeated was hotly followed by Dronestrike, originally appearing in demo form on their 2nd 7” and subsequently on their sophomore effort as a bonus track in revised form. If I had to choose which version is my favorite, whilst both recorded versions are truly stellar, trust me, when I say live is the ultimate version !!!

No known Grave and As Bridges Burn powered along and the break and beat downs of both had the crowd not only captivated but now on the move …

Karl rallied the partisan crowd with a rallying cry for unity over the divisive referendum, and as such the attending crowd from all over the globe warmly cheered him on – the incisive Austerity Kills was a timely reminder of what the general public have endured and enshrined Memoriam’s relevance forevermore.

Showcasing material from the bands latest LP Requiem for Mankind led the final charge as they subsequently went on to power through Resistance, Shellshock and as I prefer to nickname it ‘Fix Bayonets’ – this was all brought to an apocalyptic conclusion with the devastatingly heavy Flatline

Opening with a faded heartbeat which transcends into a failing life support alarm – many of tonight’s songs were further embellished with small sound bites and soundscapes which really added to the songs color live, a really creatively cool touch which certainly wasn’t lost on me.

Sadly, no cover of Sacrileges The Captive and I was dismayed not to hear Surrounded by Death amongst the set, but it was truly taught, power driven, old school death Metal show at its finest and that in itself gave the whole ensemble a magical life of its own – a greatest hits if you will, and would make an arguably perfect playlist for any true fan …

I hope to see them play again very soon, easily one of my top ten gigs of all time – S23

You can catch Memoriam live next this March in Copenhagen !!!

Memoriam … Still Loyal

Gearmonkey75's Blog

Memoriam … Still Loyal

Its been a long while since I’ve figuratively taken up the pen and written anything noteworthy or of interest …

That said I have had a few ideas and subject matters slowly gestating and its only until now I’ve decided to put something out in ‘print’ !!!

Its a culmination of several emotions and ideas – since confidently marching into my mid 40’s and not only leaving one pastime behind, and albeit happily settling down on and focusing on my career and enjoying family life I’ve since rediscovered a former passion, or rather reignited the flame for one of my first loves – music !!!

Specifically, as I’m sure you’ve long by now since gathered, heavy music in particular, and have in recent years enjoyed a renewed vigour, a renaissance of late – the flame has been very much rekindled.

It must be pointed out in…

View original post 1,225 more words

Power Metal – Doomtrodon New Demo Track

Power Metal – Doomtrodon New Demo Track

We take a quick detour from our usual fare of ‘Plastic Deth’ to introduce something, we at the S23 HQ have been quietly waiting for a for a while now – the first track from Doomtrodon’s upcoming ’68 Demo’ …

If your not up to date on the current ‘Metal Zeitgeist’ then let’s bring you screaming up to speed …

Doomtrodon is a new band based out of west England and are on guitar ‘Geezer’ drummer ‘Gav’ newly acquired vocalist ‘Matt’ and on bass, the inimitable ‘Biz’ !!!

Sound familiar – well, as I posted elsewhere this evening …

… check out Doomtrodon’s demo track Vampyre Ratt from there ‘68 Demo’ – that driving bass line, alongside those tortured vocals, pummeling drums and gravel rough buzz saw guitars is by none other than artist extraordinaire Simon Bisley …

Simon ‘Biz’ Bisley is famed for his incredible illustrative body of work, including Dredd vs Batman one shot ‘Judgement on Gotham’ – cover art for Doom Patrol, his groundbreaking Slaine, ABC Warriors for 2000ad and much much more …

Whilst not his first foray into music, his art has also graced Danzig’s EP ‘Thrall Demon Sweat Live’ as well as working with the Misfits vocalist extensively on his own comic line.

You Can hear the new track by hitting the link below

New Demo Track ‘Vampyre Ratt’ from Doomtrodon’s ’68 Demo’

This is a powerful and promising start, Geezers solid guitar work with riff heavy hooks oozes confidence.

You can also give another track, ’68’ from Doomtrodon a listen here !!!

Gav’s precision drumming pins it all down, and with extra greasy groove domination from the Biz’s incredible bass line, quite possibly motivated by his underlying skill at the drums, it’s great to see him switch instruments here.

All ably led by the tortured growls and screams of newly added Matt, that’s not to say there’s no lack of melody to what he’s delivered here, but it has its own nightmarishly tortured charm.

Doomtrodon to me personally sound like a really much needed and refreshing take on British Grind and Doomcore with a healthy nod to influences such as Sabbath and Motörhead – without sounding plaid or routine, I’ve quietly observed rumblings and movements over the past few months on their FB page and it’s been impressive to see what has slowly unfurled and evolved, it clearly is genuinely passionate and genuinely professional going concern, more importantly a labor of love which has finally come to fruition.

Whilst no genuine music hack, more over, just a die hard enthusiast- as I’m sure many of you are aware I’ve long been a fan of the many heavy genres of music, including Metal, Hardcore and Punk – of late much has left to be desired of new music in general, and after several plays Doomtrodon’s new track has left me exceptionally excited for what’s to come …

I’ll certainly not dare to pigeon hole them into a genre or cast too many similarities to their own brand of swaggering heavy groove laden doom – but any fans of Crowbar, EyeHateGod, Bolt Thrower or even the Obsessed would happily see this band stand proudly alongside them as contemporaries – high praise, maybe but they’ve surely got the punch and heart to put British Heavy Music back on track …

If your local they are due to take the stage this Saturday, May 12th at Oxfords O2 – someone pick me up a shirt !!!

Supporting Death Remains – you can pick up tickets here !!!

Again the underground has delivered, and it’s this original and fresh take on the genre that’s certainly reinvigorated my faith in new music – anyhow, enough from me – tune down, turn up and sab out – S23

Keep up to date with more from Doomtrodon here on there FB page: https://m.facebookn.com/doomtrodon/

NEW DESIGN – S23 ‘Plastic Deth’ Skull Tee

In NSW ‘Navy Blue’ with the classic ‘Beer Mat’ on the front and custom ‘Plastic Deth’ Skull Art sporting the now infamous ‘Ranger’ diamond on the rear, by S23 himself – you can now sport you OG S23Familia Pride on or off the field – S23

Available in Small, Medium, Large, X-Large, XXL-Large and XXX- Large here: http://s23familia.bigcartel.com/product/s23-plastic-deth-skull-tee

Possessed to Shred, an interview with Suicidal Tendencies guitarist Jeff Pogan

Possessed to Shred, an interview with Suicidal Tendencies guitarist Jeff Pogan

​​
So, for the last year or so we’ve stuck with ‘Plastic Deth‘ and interviewed a slew of luminaries from our, or that community.
Although, either those of you paying attention or know me personally I have a crushing passion for Hardcore, Metal, Crossover and Punk.​​

Ironically, some 25 years ago, whilst pursuing my love of illustration I was approached by a now very good friend who traded me some tapes for some art of his favorite characters.
I threw these tapes in my day sack and skated home after school. Whilst doing chores and homework later that night I remembered the tapes and put em’ on, the first being Suicidal Tendencies timeless classic, ‘Lights, Camera, Revolution

Suicidal Tendencies …

The rest as they say was history, and I was hopelessly devoted, and naturally joined the SxTx Army.

Suicidal
Tendencies need little to no introduction, other than they’ve been going since the very early 80’s pioneering real punk, hardcore and their funk tinged crossover thrash ever since.

Munich, 1st stop of ST’s Summer Tour …

Last night they returned to Europe, and destroyed Munich on the first date of their summer tour, albeit with a new fresh rhythm section.
We took the time out to speak with Jeff Pogan, and get the inside scoop …

Jeff Pogan


GM75: What up Jeff, thanks for taking the time out to talk with us, and make history with us by breaking away from our normal subject matter.

… possessed to shred …

Anyhow, unto business, a little about yourself, how long have you been playing, what are your influences and what’s it like to be front stage this time out ‘shredding’ audiences across Europe?

JP: 
What’s up! Thanks for having me! I’ve been playing for about 15 years now. I’ve always had an immense passion for music! My influences early on were my brother and dad, seeing how if it weren’t for them I wouldn’t be playing. My brother, Bill Pogan, is an incredible musician and definitely inspires me all the time. Other early influences were Black Sabbath and The Ventures. Then I got into the thrash/metal stuff around age 13, then onto more technical stuff like Dream Theater and such to really hone in my chops.

Cyco STyle

It is an incredible feeling playing on these stages and sharing it with this amazing band. It’s truly the best feeling in the world. And the crowds have been nothing short of electrifying!

… still cyco after all these years …

GM75: So, if I’m right, you previously used to tech guitars for Suicidal, how’d did the shift of position come about?

JP
: That’s correct! I was the band guitar tech since 2014. The shift came about when Nico decided he wanted to pursue a different path, musically. With the position now open, Mike Muir asked me if I wanted to audition, seeing how I had already worked with the band for 2 years and been friends with everyone, it was a natural progression and here I am!


GM75
: Was a lot of work put in rehearsal wise, or were you sufficiently familiar with the material it was a more organic evolution working with the rest of the band?

JP
: I never consider rehearsing or practicing “work”, because it’s all so much fun to me. But I was really familiar with the material already, having toured with ST for two years and from being a fan too. So we did rehearse a lot, and I personally practiced the songs a ton but it was all so organic and the band is so solid. We get along great and communicate really well, verbally and musically, and I think that’s the most important part of being in a band together. We’re all on the same page.

… crazy but proud …


GM75
: You absolutely destroyed Munich last night, a real crushing show and with Dave Lombardo (Slayer) on board the pace was absolutely break neck fast. What’s it like playing not only with Cyco Miko, but Dave too, that’s a lot of ‘Metal’ history right there ?


JP: Thank you so much! That was my first show playing so I’d be lying if I said I wasn’t nervous. I’m truly so honored to be apart of this line up. Dave is an absolute monster behind the kit and his power is unparalleled in my opinion. Mike is amazing in that he never stops moving and no matter what, he puts on an incredible show and really connects with the fans. Both Mike and Dave are prolific as hell with their historic catalog, one that I grew up listening to, so it’s a real honor and privilege for me to share the stage with Mike, Dave, Dean and Ra.

Suicidal For Life


GM75
: I’m a huge fan of all of Suicidal’s back catalogue, but if I had to pick one or two songs, it’d be ‘Go’n Breakdown‘ or ‘You Can’t Bring Me Down‘ – any particular personal favorites, to listen to or, even play ?


JP
: It depends on the day. Today I’ve been listening to “Lights, Camera, Revolution” all day but yesterday was “Suicidal for Life” and “Controlled By Hatred/Feel Like Shit, Deja Vu” the day before so it all depends! Favorite to play is a hard one. But “Trip at the Brain“, “Go’n Breakdown” and “Who’s Afraid?” are hard to beat. But honestly every single song we play is just packed with energy and a blast to play!


GM75
: So, in between shows, when not either traveling, eating, sleeping or at sound check what do you and the rest of the guys get up to, what do make of Europe so far ?

… Cyco Miko …

Possessed – Jeff and Dean …


JP: We haven’t had a proper day off on this tour yet, but we’ll usually have an “ST Familia” dinner (band and crew). The coolest thing about this band is literally everyone gets along, band and crew alike. So we like to go for dinner on days off, walk around the cities and embrace the cultures of the place we’re in, wherever it might be that day. But it usually involves plenty of laughs and good food.


GM75: Now, as I earlier explained, we traditionally run interviews that are MilSim and Airsoft related, however, many of the guys involved are Hardcore, Punk, Metal fans.

This, is all actually inspired by the ‘Hardcore’ DIY ethic, and even Mr. Muir’s longstanding encouragement of to get up and do something positive. Community, be it music, extreme sports, or even as seen here, is important, but what does it mean to you ?

JP
: I can only speak on behalf of the music community since that’s all I know. Community is what drives music. We’re here because of the fans (community) and we embrace them 100%. After shows we’ll mingle with the fans, take pictures, sign stuff and most importantly, hear what they have to say. And it’s really awesome how much of an impact ST has on the audience. It’s rewarding to talk to them and hear how excited they were about the show and how much they loved it. If what ST does positively effects the music community, I think that’s pretty great. Some people have told me ST has saved their life, and that’s the power of music and community.



GM75
: So, I recently received the Suicidal STreet Team email, a new album is currently being assembled, is that process something your a part of, STylistically does it hark back to a particular era of Suicidal Tendencies ?

Dave Lombardo and Mike Muir ‘United Forces’


JP
: Yes the new album is something we are all really excited about. I’m apart of it in that I did some engineering and played rhythm guitars on the songs as well. Stylistically, I think it’s one of the heaviest records ST has ever put together. All I can say is we’re all really excited about it and we think the fans will be really happy with what they hear!

GM75
: Right, I know your a busy man, so thanks for taking the time out to talk to us, any last words to the Suicidal Army ?

JP
: No problem, thank you! I’ll just say it’s been an honor and pleasure to be apart of the Suicidal Army and I’m SToked about the future. STay CYCO, keep your eye out for the new Suicidal record (September 2016) and look out for us coming to a city near you!

So, there you have it, a brief alternative step away from the usual fare, and naturally there’s and element of commonality between what we do and the ST family do.

Be sure to check em out on tour, and find out more on the band below – S23



New SUICIDAL TENDENCIES – OFFICIAL record available September 30th – Pre order August 5th – WORLD GONE MAD – And it’s about to get crazier!!!! 

 

VIDEO: https://www.youtube.com/watch?v=fmx4MMPHaZc&feature=share
Suicidal Tendencies



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